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c. 1445 – May 17, 1510. Italian painter.

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Pataky, Laszlo
Parth in the Woods of Fontainebleau

ID: 54388

Pataky, Laszlo Parth in the Woods of Fontainebleau
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Pataky, Laszlo Parth in the Woods of Fontainebleau


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Pataky, Laszlo

Hungarian, 1857-1912  Related Paintings of Pataky, Laszlo :. | Resurrection hhd | Fight Between a Tiger and a Bull | Portrait of Jean de Dinteville and Georges de Selve | Kusinerna | In a Villa at the Seaside |
Related Artists:
Robert Dowling
Australian Painter, 1827-1886 was an Australian colonial artist. Dowling was born in England the youngest son of Rev. Henry Dowling and his wife Elizabeth, nee Darke. He was brought to Launceston, Tasmania with his parents in 1839 in the Janet. He received lessons from Thomas Bock and Frederick Strange, and in 1850 advertised as a portrait painter. In 1856 Dowling left for London partly with the help of friends in Launceston. He exhibited 16 pictures at the Royal Academy between 1859 and 1882 and others at the British Institute. Returning to Launceston he afterwards came to Melbourne and painted portraits of Sir Henry Loch, Dr James Moorhouse, Francis Ormond, and others. He went to London again in 1886 but died shortly after his arrival. Dowling was a conscientious painter of figure subjects, often scriptural or eastern.
Charles Philips
(1708 -1747 ) - Painter
VASARI, Giorgio
Italian Mannerist Writer and Painter, 1511-1574 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.






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